Drawing from the visual language of noir cinema, the collection examines how power is constructed through performance in which visibility itself becomes a form of control. The femme fatale is not merely a character but a system; a self-curated concept that destabilizes the boundary between what she's believed to be. Within this tension lies autonomy and the ability to choreograph one’s own narrative in a world obsessed with defining it. La Femme Fatale is less about what is seen, and more about who decides what can be seen.